The film adapts and expands the Planetarian visual novel by Key. The story is set in a dystopian future where biological and nuclear warfare has left a once prosperous civilization in complete ruin. The film tells the story of an old man travelling around with a mobile planetarium projector to show people the stars.

1970 Japanese movie

1962 Japanese movie

暂无剧情简介

1962 Japanese movie

1963 Japanese movie

The movie depicts the complicated romantic feelings of a woman who is attracted to a man other than her fiancé.

A handful of young people deal with their personal and emotional tribulations in this teen-centric romantic comedy from Argentina. Laura (Karina Dali) is a woman who has unwittingly stolen the heart of Joaquin (Mariano Martinez), a brash film student, but while he makes plans to woo her, Joaquin has to take care of some other matters first. Joaquin is moving into a new flat, and he and his friends discover just how hard it is to move a piano; meanwhile, he also is drafted into helping his buddy Marcos (Facundo Espinosa) win back his girlfriend, which means lending Marcos his car.

As an advisor to a reknown U.S. casino and a prominent gambler, "Supreme" Ray has encountered many adventurous challenges in his career. When "Tiger Eye" Chiang challenges Ray to a gambling contest with him in Macau, Ray's adventures begins again. In Hong Kong, Ray's cousin introduces him to two friends, who end up cheating him and making off with all his money and belongings. The two swindlers then assume Ray's identity and travel to Macau to participate in the card competition on his behalf.

A plot to overthrow the United States government is uncovered in New York City in the summer of 1919 when William Flynn, a field agent for the Bureau of Investigation, is sent to investigate a bomb threat that has targeted some of America's most powerful politicians and leaders of commerce, New York millionaire John D. Rockefeller, Sr. among them. Flynn's investigation takes him on a journey into the underworld of homegrown terrorism and introduces him to a competitive culture of violence and murder. Greed, power, and politics are at the center of the story and Flynn must distinguish the villains from the merely discontented. Along the way, he discovers that terrorism has many faces and that a determination of guilt or innocence often lies in the psychology of fear that constricts individuals at every level of society. Sedona International Film Festival.